samurai ii vengeance

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samurai ii vengeance (続宮本武蔵　一乗寺の決闘 Zoku Miyamoto Musashi: Ichijōji no Kettō^?) is a color (Eastmancolor) 1955 Japanese film directed by Hiroshi Inagaki starring Toshiro Mifune. It is the second film of theSamurai Trilogy. The film is adapted from Eiji Yoshikawa's novel Musashi. The novel is loosely based on the life of the famous Japanese swordsman, Miyamoto Musashi.

The first part of the trilogy is Samurai I: Musashi Miyamotoand the third is Samurai III: Duel at Ganryu Island.Following Takezo's (Toshiro Mifune) capture by the Buddhistpriest Takuan Sōhō, and stay in Himeji Castle. Takezo is granted his samurai name 'Musashi Miyamoto.' and leaves to search for enlightenment, leaving two messages for Otsu: "Soon I will be back" and "Forgive me." He goes to learn the way of the samurai and find those who will help him learn. But his first duel is with a challenger with a chain and a sickle who he fights and wins. After years on the road establishing his reputation as Japan's greatest fencer, Takezo travels to Kyoto. The now married Matahachi and Oko are settled there with Akemi. Otsu, having heard a rumor that Takezo is in Kyoto, has also travelled there to look for him. He meets Otsu who is in love with him but he tells Otsu he must follow what he loves more than her, the sword of the samurai.

He begins a series of duels against the Yoshioka School and earns their ire. Musashi challenges Yoshioka Seijūrō, master of the Yoshioka School, to a duel and Sasaki Kojirō (Kōji Tsuruta) meddles with both sides in the duel. Seijūrō accepts, and they agreed to a duel but an ambushed is prepared by followers of Seijuro. Matahachi (Rentarō Mikuni) returns and confronts Otsu who declares he betrayed her and no longer loves him but loves Musashi. Matahachi tries to kill her but is stopped by Sasaki Kojirō who happens to come by. Otsu runs to find Musashi but she finds him with Akemi who is declaring her love for Musashi and warns him of the ambushed prepared by followers of Seijuro.

They assembled a force of archers, musketeers and swordsmen, and challenged Musashi to a duel outside Kyoto, near Ichijō-ji Temple. Musashi breaks his habit of arriving late, and comes to the temple hours early. Hidden by heavy underbrush, Musashi sneaks up and assaults the force waiting in ambush, and then escapes while being attacked by dozens of his victim's supporters. To escape and fight off his opponents he was forced to draw his second sword and defend himself with a sword in each hand. This was the beginning of his niten'ichi sword style. Finally he comes face to face with Seijūrō who shows up. They faced off, and Musashi stikes Seijūrō on the left shoulder, knocking him down, and crippling his left arm. Otsu finds Musashi after the duel, bloodied and battered, and takes care of him.samurai ii vengeance (侍^?), usually referred to in Japanese as bushi (武士^?,[bu͍ꜜ.ɕi̥]) or buke (武家^?), were the military nobility of medieval and early-modern Japan. According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning to wait upon or accompany persons in the upper ranks of society, and this is also true of the original term in Japanese,saburau. In both countries the terms were nominalized to mean "those who serve in close attendance to the nobility," the pronunciation in Japanese changing to saburai. According to Wilson, an early reference to the word "samurai" appears in theKokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century

Production designer was Kisaku Itō, set decoration was made by Makoto Sono, consultant of art department wasKisaku Itō, sound technician was Chōshichirō Mikami,lighting technician was Shigeru Mori and choreographerswere Tokuho Azuma and Yoshio Sugino.

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samurai ii vengeance